Comparison of Platos The Last Days of Socrates and...

Comparison of Platos The Last Days of Socrates and Hesses Siddhartha The Last Days of Socrates and Siddhartha are sources that reveal information about religious or philosophical ideas in the cultures that they focus on. While vast differences exist between the Greek and Indian values that shape their philosophies, they make similar assumptions as they attempt to make sense of the world. Understanding the dichotomous relationship of the soul and the body is integral to grasping the similarities and differences between the classical Greek and Indian paths because the way in which these concepts are understood defines the very nature of truth. Socrates, the main character in The Last Days of Socrates, and Siddhartha,†¦show more content†¦...I spend all of my time going about trying to persuade you, young and old, to make your first and chief concern not for your bodies nor for your possessions, but for the highest welfare of your souls... (Plato 62). He bases his arguments in an understanding that people can only be wise when their souls are free from their bodies, because the senses interfere with inquiry (Plato 131). Socrates admits, however, that throughout life the body and the soul are connected. They only separate at death, which he explains as ...the separate condition by itself of the soul when released from the body (Plato 108). Based on this assumption, Socrates encourages people to give up bodily pleasures such as food, sex, and fancy clothes so that their souls can be as free as possible from their sensual bodies (Plato 108). Siddhartha uses the term Self to express the concept of the soul and the body . In order to free himself of the influences of the body on his soul, Siddhartha attempts ...to become empty, to become empty of thirst, desire, dreams, pleasure, and sorrow-to let the Self die (Hesse 14). However, he too finds it impossible to completely separate the soul and the body so that he can discover truth. Although Siddhartha and Socrates are both searching for truth by trying to understand the dichotomy between the soul and the body, they approach this quest in very

The Brain On Love Essay - 1582 Words

A person really only falls in love once. Following someone so blindly, not another care in the world but that special someone. Spinning and spinning, falling toward the only thing in focus, everything else blurred by the spin. The security of that clear image can do no wrong. Falling, whether in slow motion or at high speed, until finding oneself swept into a perpetual fall, hopelessly in love with whoever the heart picks, not remembering how one had gotten there, and to not care, because all that is known is bliss. How romantic this all seems, the young girl falling into the arms of the fast becoming man. Two people stumbling along unbeknownst of their fate, finding their soul mates in a blissful utopia. This is true love.†¦show more content†¦Once in conversation with its potential mate, the brain needing to show its eligibility, sends signals for the skin to sweat, the face to flush, and the glands in the scalp to release more oil (Alberts). However unfortunate th ese effects may seem at the time, they give a warm glow, healthy color, and extra shine, all in an effort to look more appealing. The pupils dilate, taking in everything it can of the potential mate (Alberts). As more adrenaline, testosterone, and estrogen are released throughout this first meeting, the body remembers these exhilarating feelings. The dopamine activates the bodys reward system, reminding it where it can get more of these chemicals that it is beginning to crave (Bozarth). After a relationship begins, feelings move beyond initial attraction and enter the love bubble. It is that perpetual fall of being hopelessly in love. The brains perfect combination for the perfect, unpoppable bubble: norepinephrine, adrenaline, phenylethylamine, endorphins, serotonin, and dopamine. The norepinephrine heightens attention, stimulates the production of adrenaline, and promotes goal oriented behavior (Smiga). This is the chemical to blame for narrowing the mental focus and caus ing sleepless nights, constantly fixated on that special someone (Smiga). As it stimulates the production of adrenaline, the heart rate and blood pressure rise (Sonstroem). This can cause an increase of sensitivity in the stomach muscles,Show MoreRelated Love in the Brain Essay1399 Words   |  6 PagesLove in the Brain Does brain equal behavior? Some people have argued that they have difficulty saying it does because they find it hard to believe that our individual, tangible brain controls emotions that many consider to be intangible, such as being in love. This paper will discuss the role that the brain actually plays in love- why we are attracted to certain people, why we feel the way we do when we are around them, and whether or not this is enough to say that in the case of love,Read MoreBuddha s Brain : The Practical Neuroscience Of Happiness, Love, And Wisdom1158 Words   |  5 PagesBuddha s Brain When people generally discuss the Buddhist principals or the life of Buddha, the subjects of the anatomy or evolution of probably rarely arise. However in this book, â€Å"Buddha s Brain – the practical neuroscience of happiness, love, wisdom†, many of the tenets of Buddhist teachings are backed by the latest research and well established scientific theory. The author, Dr. Rick Hanson and his collaborator, Dr. Richard Mendius, are both scientist themselves with Dr. Hanson being aRead MoreRomeo And Juliet : A Story Of Love Or The Poorly Functioning Biological Properties Of The Teenage Brain?919 Words   |  4 PagesRomeo and Juliet- A Story of Love or the Poorly Functioning Biological Properties of the Teenage Brain? Since it was written, Romeo and Juliet has been regarded as the arguably most famous love story of all time. Two star-crossed teen lovers are so drowned in their own world that they commit suicide in the hope of eternally being with each other in the afterlife. In reality, were the characters’ actions truly drawn from a sense of fervent love, or rather from hormonal triggers acting in unfavorableRead MoreHow Does Our Brain Communicate? Essay935 Words   |  4 PagesLove According to Merriam-Webster dictionary, it defines love as â€Å"A feeling of strong or constant affection for a person.† (Love, 2015). In order to have the feeling of other person, we need social connection to support it and it is the foundation of all social activities. How does our brain respond to the love of other person? Will external factors change the way our brain responds to love or do our brain actually ignore these outside things and only focus on the inside activities only? I wouldRead MoreThe Neurology of Love1138 Words   |  4 PagesThe Neurology of Love Major Research Area The major research area discussed in the selected article is the neurology of love specifically, the brain activity observed through functional magnetic resonance imaging techniques (fMRI) observed when study participants viewed images of their long-term spouses (Acevedo et al, 2011). This is part of a larger area of research that aims to define and measure the impact that feelings of love have on the brain and the neurological system, or perhaps theRead MoreA Study by Semir Zeki Tries to Answer What is Love866 Words   |  3 PagesEveryone knows what love is, and everyone has felt love at some point in their life. It is a universal feeling, a good feeling. The question is though, is there a chemical equivalent to love? What happens to the brain in love? According to Sultan Tarlaci, when a person is passionately in love he or she feels pure happiness and they are willing to risk more and fear less. He goes even further to state that a person is basically obsessed with the person wh om they love and are willing to die for themRead MoreLove Does Not Have One Fixed Definition847 Words   |  4 PagesLove does not have one fixed definition. The definition of romantic love differs from person to person. People fall in love on the bases of the environment they grew up and values they have learned as a child. People often look for a person that they can trust which might be due to having similar values. Probably, this is part of the human nature because if a couple has similar values, they might have a higher probability of staying together longer and they can have a healthier relationship withRead MoreWilliam Shakespeare s Romeo And Juliet1478 Words   |  6 Pagesultimate decision. Then again, there is no definite reason to assign fault to Romeo and Juliet. Not only are their brains not fully developed, but pressures from outside forces caused such stress within the relationship. To begin with, teenagers, like Romeo and Juliet, don’t yet have a fully mature brain to make wise and reasonable decisions. In particular, the region of Romeo and Juliet’s brain that assists in making knowledgeable decisions, the prefrontal cortex, also recognized as the frontal lobes,Read MoreWe All Seem To Know It When We Feel It Essay1478 Words   |  6 PagesWhat is love? Not just the emotion and the feelings that a person feels, but what it is exactly. Is it just a feeling that is in a humans heart? Does love even come from the heart or is it a chemical reaction in the brain that makes a lover think that? When it comes to love there are so many questions that can be asked, but why does love even matter? With a better understanding of love, a partaker of love is better equipped to handle everything that goes with it. With this better understanding aRead MoreThe Effects Of Pornography On Society, An Up And Coming Monster Slowly Awakening From Its Deep Slumber1471 Wo rds   |  6 Pageslots of harm because, it changes the way the userÅ› brain works, cause you to become violent, and can change the way you look at and love others. When someone uses pornography it rewires the brain and changes how it works on a day-to-day basis. Dopamine is a chemical in your body that causes you to be happy and want to do things. Just like with other addictive substances when pornography is used it causes a flow of dopamine to rush into the brain. With a constant rush of dopamine the brain’s reward

Family Assessment and Intervention Model

Question: Discuss about theFamily Assessment and Intervention Model. Answer: Introduction The Family Assessment and Intervention Model constructs the basis of system theory that is modified and extended to have a main focus on the whole family instead of a single individual. According to this model, the families are considered as an open and dynamic system that interacts with their environment. One of the most important roles played by the families is helping and protecting their family members from any kind of perceived threats. The basic structure of the family, its function, energy, processes, and strengths are the core components ofthe family system. Hence, this basic structure of the family should always be protected. The family is the one who develops the line of defense for protection as an adaptive measure in case the family system is threatened by any kind of stressor (Kaakinen, 2010). However, it has been observed that the family systems are prone towards tensions that are produced by any kind of stressors in the family. As a result, there is an imbalance from t he normal system of homeostasis in the system and result in the series of health events. Hence, the theory explains the main problem of stress and its impact on the family as a whole, and provides solution on the basis of strengths and vulnerabilities of the family (Feetham, 2013). Case study: Mr. X who lives with his wife was seen in a psychiatric ward due to depressive thoughts and moods. Mr. X and his wife has recently shifted to their new apartment and has a very busy schedule. As both of them are working, they mostly end up eating outside. Earlier, Mr.X and his wife used to live with his whole family, but recently they have shifted and lived alone. Moreover, Mr. X was going to get promotion but his promotion was delayed two times for certain reasons. He misses his parents as he used to live with his parents since childhood. His parents visit him occasionally, but he feels very low whenever they leave him. Mr. X and his wife both spent time with each other on weekends and always have dinner together. However, as his wife has her office in early hours of the day, on weekdays she seems to be very busy and doesnt have quality time with his husband. Though, whenever her husband doesnt feel well, she takes a leave from her office and goes to the hospital togethe r. According to the model, the stressor in the family is a separation of Mr. X from his family, delay in his promotion for two times, and insufficient quality time with his wife. The strengths of the family are support for each other, spending time on weekends, having dinner together, trust, and adequate income. Through this model, the strengths and stressors are understood, and will be used for overcoming the stress of the family and health of Mr. X. Hence, with the help of this model, a structured approach towards the assessment of the family and intervention is achieved. The focus on strengths of the family is the unique approach of this model. However, the weakness of this model is that it is specifically used only when the family enters the healthcare system and is applicable when some kind of health problem occurs and contributes towards stressors (Kaakinen, 2010). References Feetham, S. (2013). Book Review: Nurses and families: A guide to family assessment and intervention.Journal Of Family Nursing,19(2), 274-275. https://dx.doi.org/10.1177/1074840713483960 Kaakinen, J. (2010).Family health care nursing. Philadelphia: F.A. Davis Co.

Advance Diploma Hospitality of Management

Question: Discuss the budget analysis of international Hotel Group. Answer: Budget Analysis of International Hotel Group The budget analysis of the hotel is based on existing budget report and the proposed budgets for improvement are shown below as follows: Existing reflection of the expenses The present budget estimation has total expenditure of $67000. The cost of the various item such as Accommodation, Equipment, Food/Catering, Recreational Hall, Round tables with chairs, Lights on the last day for music carnival, Small stage for speeches and individual performance, small bouquets and transportation facilities provide to the customers comprises of the various costing components in the financial budgeting procedure. It has been observed that the rooms with single bed will cost $200 per night. The total cost for the required 30 beds have been observed as $16000. The equipments required such as projectors, microphones and sound system has further requirements of $2800. The food and catering cost is $19000. These costs include the food which is given in the menu list, dietary requirements and room service related costs. The recreation hall further needs an accommodation capacity of 200 people. This cost has been estimated to be $ 9000. The cost related to the tables and chairs has been estimated to be $ 10000.These items include 15 tables, consisting of 11 table and ten chairs. The expenses of the lighting charges for the purpose of last day celebration on the occasion of carnival and musical night are estimated to be $ 6950. The small stage setup for the purpose of speech and performance of the individual members has been observed as $1900. This particular cost is based on the area of the stage wh ich is 5x7 meters. The cost for the purpose of floral decoration has been observed AS $1700. The several cost components for this purpose includes entry decoration, stage decoration and decoration in the centers and buffet. The costs for 28 small bouquets have been observed as $1850. This component includes selection of the bouquets of orange, red and white color of flowers. The transport of the passengers of the cost has been estimated as $ 49000. This cost includes the cost involved in taking the guest for the purpose of sightseeing. The cost for the aforementioned items has been observed as $57000. This shows that as the budget of the company is $67000 the company will earn a profit of $ 10,000. Recommendation for improvement in the present budget The recommended budget has been suggested to the International Hotel Group for the purpose of improving the present budget activities and increasing the profit aspect of the company. According to the revised budget the accommodation charges for the rooms with single beds has been estimated to be $ 9000 as the cost 30 bed has been considered as $300 per night. The equipment charges related to the projectors, microphones and sound system has been reduced to $ 1000. Based on the revised budget the cost related to the food and catering business has been reduced to $ 5040. The cost of the recreation hall has been observed as $8570. The costs related to the round tables with chairs have been further reduced to $1050. The cost of the small stage for the purpose of speech and individual performance has been reduced to $ 580. The cost associated with the floral decorations has been reduced to $640. The cost of the 28 small bouquets of various colors has been further reduced down from $ 1850 t o $ 560. The transportation cost of the passengers has been brought down from $ 4900 to $ 550. Based on the above discussed cases it has been observes that the present cost of the related items of the Hotel is $30010. Based on the estimated total budget aspect the total profit after the revised budget report has been observed as $ 36990. This shows an increase of more than $ 26000 than the existing budget. The various cost drivers associated has been changed on the basis of prioritizing the importance of the cost component based on the individual activities. For example previous provision of the deluxe rooms in the expected budget has been reduced by providing standard rooms. The cost of the flower decoration has been reduced from the previous estimation of $ 1700 to $ 640. This reduction has been done by considering inferior quality of flowering rather than including superior set of flower in the previous set of budget report. Due to the similar reason the price the small bouquets has also been reduced in compare to the existing budget. It can observe that of the recrear5ion hall has been reduced to a great extent as the charge of recreational hall is more or less fixed in nature. The comparison of the budget report shows that the cost of $ 9000 has been reduced to only $ 8570 in the new budget proposal. Hence we can see that on the basis of new budget, the company is able to increase the profit amount by more than 40%. Reference List Fatahi, S., Nozari, S.M. and Nejad, M.J., 2014. An investigation of the Impact of Performance Audit on Improving the Productivity of (Financial and Budget) Public Sector Capital Resources. Advances in Environmental Biology, pp.512-522. Keating, S.B., 2014. Financial Support and Budget planning for Curriculum Development or Revision. Curriculum Development and Evaluation in Nursing, p.169. SHAN, B. and CAI, J., 2013. Development of Executive Control System of Financial Budget Based on Web in Vocational Colleges [J]. Journal of Tianjin Vocational Institutes, 4, p.022. Wei, F., 2015. Research on Financial Budget Performance Audit Platform Construction By Information System.

Legacy, a Humanely Resourceful Beast free essay sample

I am no ordinary child; I am a sleeping beast underneath waiting to wake and change the world as done within this child. I’ve lived a life of honor and morality. I’ve accomplished many things and pursue a career in Human Resources. In which, I brood because of the culture of life’s eerie and dim-witted customs and companies and overlooked regulations. As I tread this road awaiting the right time to create a legacy by positively affect companies. I discover a chronically lethargic physical state, but the mind is far-traveled. In this mind, a voice is irate with its physical condition. A drowsy, heavy-eyed beast that desires slumber after its brain has acquired knowledge. This is how companies are being seen, lethargically feeble. To believe that you should slumber whilst your brain desires work is a ludicrous stipulation for any entity. Discovering a weary body, may become a route that ensues when the brain commences its deliberation. We will write a custom essay sample on Legacy, a Humanely Resourceful Beast or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page A slumbering erudite is incongruent, which is like a deplorable conundrum, a leader who is a liaison between unconstitutional adults that hold the unwarranted customs of politics and those who you call peers, which the leader would call insubordinates, who do not condone with the rules and laws of a deficient educational corporation guarded with capitalist views that support team based behavior. Which contradicts the purpose of testing that requires one’s own mind and poses moot inquiries in times of creativity. Producing low scores is not the outcome of stupidity, it demonstrates the difference between those who are one tracked minded versus those who comprise of immense convoluted inventiveness and are ready to pounce against multitudinous canvases pending their creativity. Leaders do not overseer the humility of their hearts, they follow what they feel is respectable and moral. For belligerence is not to be fooled with, it is the key to a lurid reputation. It was not legislated that leaders must follow political outlooks. Politics are creating platforms for idiots in society. As the brain works inside this heavy-eyed beast, the aversion to the politics of excuses stating why an individual is out of regulation is a justifiable reason as to why I may be spurned at the notion of injustice, the glibness behind liberty and its misunderstood definition of ‘Freedom.’ Time to catalog the hearts of humility and chart the minds of creativity to watch those intellectually artistic people vehemently announce their presence in this world because it is time for those to transpire a forbearing fact: communion. The virtuous peace and love we all deserve while interlocking our diminished deeds with our over looked lopped sins, for the reason that time has no date; which, to legislate a more palatable and ardent conundrum for those oblivious bastards is essentially right but, with much apathy, is politically wrong. It is in these very reasons that foundations fail, people are unemployed, overworked, and tired. Management, administration, and superiors who have a title but none of the necessary skills for improvement are causing negative economic landslides. Issues have arisen and superiors are overlooking what needs to be fixed, but this heavy-eyed beast that slumbers whilst his brain works is beginning to become annoyed at the injustices and mistreatment of policy, rules, and under trained superiors that have not any principled sense. This beast has slept long enough and evaluated and analyzed more information than needed. It is time to begin change like the beast has done within himself. This beast has awoken and is ready to be The Humane Resource for more effective, efficient, fluent, and productive companies. Time!

How to Write a Book in 2019 A Proven Guide From a Best Seller

How to Write a Book in 2019 A Proven Guide From a Best Seller How to Write a Book: Everything You Need to Know in 20 Steps So you want to write a book. Becoming an author can change your life- not to mention give you the ability to impact thousands, even millions, of people. However, writing a book is no cakewalk. As a 21-time New York Times bestselling author, I can tell you: It’s far easier to quit than to finish. When you run out of ideas, when your own message bores you, or when you become overwhelmed by the sheer scope of the task, you’re going to be tempted to give up. But what if you knew exactly: Where to start What each step entails How to overcome fear, procrastination, and writer’s block And how to keep from feeling overwhelmed? You can do this- and more quickly than you might think, because these days you have access to more writing tools than ever. The key is to follow a proven, straightforward, step-by-step plan. My goal here is to offer you that plan. I’ve used the techniques I outline below to write more than 190 books (including the Left Behind series) over the past 40 years. Yes, I realize averaging over four books per year is more than you may have thought humanly possible. But trust me- with a reliable blueprint, you can get unstuck and finish your book. This is my personal approach to how to write a book. I’m confident you’ll find something here that can change the game for you. So, let’s jump in. How to Write a Book From Start to Finish in 20 Steps Establish your writing space. Assemble your writing tools. Break the project into small pieces. Settle on your BIG idea. Construct your outline. Set a firm writing schedule. Establish a sacred deadline. Embrace procrastination (really!). Eliminate distractions. Conduct your research. Start calling yourself a writer. Think reader-first. Find your writing voice. Write a compelling opener. Fill your story with conflict and tension. Turn off your internal editor while writing the first draft. Persevere through The Marathon of the Middle. Write a resounding ending. Become a ferocious self-editor. Find a mentor. Want to download this 20-step guide so you can read it whenever you wish? Click here. Part One: Before You Begin You’ll never regret- in fact, you’ll thank yourself later- for investing the time necessary to prepare for such a monumental task. You wouldn’t set out to cut down a huge grove of trees with just an axe. You’d need a chain saw, perhaps more than one. Something to keep them sharp. Enough fuel to keep them running. You get the picture. Don’t shortcut this foundational part of the process. 1. Establish your writing space. To write your book, you don’t need a sanctuary. In fact, I started my career on my couch facing a typewriter perched on a plank of wood suspended by two kitchen chairs. What were you saying about your setup again?We do what we have to do. And those early days on that sagging couch were among the most productive of my career. Naturally, the nicer and more comfortable and private you can make your writing lair (I call mine my cave), the better. (If you dedicate a room solely to your writing, you can even write off a portion of your home mortgage, taxes, and insurance proportionate to that space.) Real writers can write anywhere. Some write in restaurants and coffee shops. My first fulltime job was at a newspaper where 40 of us clacked away on manual typewriters in one big room- no cubicles, no partitions, conversations hollered over the din, most of my colleagues smoking, teletype machines clattering. Cut your writing teeth in an environment like that, and anywhere else seems glorious. 2. Assemble your writing tools. In the newspaper business there was no time to handwrite our stuff and then type it for the layout guys. So I have always written at a keyboard. Most authors do, though some handwrite their first drafts and then keyboard them onto a computer or pay someone to do that. No publisher I know would even consider a typewritten manuscript, let alone one submitted in handwriting. The publishing industry runs on Microsoft Word, so you’ll need to submit Word document files. Whether you prefer a Mac or a PC, both will produce the kinds of files you need. And if you’re looking for a musclebound electronic organizing system, you can’t do better than Scrivener. It works well on both PCs and Macs, and it nicely interacts with Word files. Just remember, Scrivener has a steep learning curve, so familiarize yourself with it before you start writing. Scrivener users know that taking the time to learn the basics is well worth it. So, what else do you need? If you are one who handwrites your first drafts, don’t scrimp on paper, pencils, or erasers. Don’t shortchange yourself on a computer either. Even if someone else is keyboarding for you, you’ll need a computer for research and for communicating with potential agents, editors, publishers. Get the best computer you can afford, the latest, the one with the most capacity and speed. Try to imagine everything you’re going to need in addition to your desk or table, so you can equip yourself in advance and don’t have to keep interrupting your work to find things like: Staplers Paper clips Rulers Pencil holders Pencil sharpeners Note pads Printing paper Paperweight Tape dispensers Cork or bulletin boards Clocks Bookends Reference works Space heaters Fans Lamps Beverage mugs Napkins Tissues You name it Last, but most crucial, get the best, most ergonomic chair you can afford. If I were to start my career again with that typewriter on a plank, I would not sit on that couch. I’d grab another straight-backed kitchen chair or something similar and be proactive about my posture and maintaining a healthy spine. There’s nothing worse than trying to be creative and immerse yourself in writing while you’re in agony. The chair I work in today cost more than my first car! If you’ve never used some of the items I listed above and can’t imagine needing them, fine. But make a list of everything you know you’ll need so when the actual writing begins, you’re already equipped. As you grow as a writer and actually start making money at it, you can keep upgrading your writing space. Where I work now is light years from where I started. But the point is, I didn’t wait to start writing until I could have a great spot in which to do it. Part Two: How to Start Writing a Book 3. Break the project into small pieces. Writing a book feels like a colossal project, because it is! But your manuscript will be made up of many small parts. An old adage says that the way to eat an elephant is one bite at a time. Try to get your mind off your book as a 400-or-so-page monstrosity. It can’t be written all at once any more than that proverbial elephant could be eaten in a single sitting. See your book for what it is: a manuscript made up of sentences, paragraphs, pages. Those pages will begin to add up, and though after a week you may have barely accumulated double digits, a few months down the road you’ll be into your second hundred pages. So keep it simple. Start by distilling your big book idea from a page or so to a single sentence- your premise. The more specific that one-sentence premise, the more it will keep you focused while you’re writing. But let’s not get ahead of ourselves. Before you can turn your big idea into one sentence, which can then be expanded to an outline, you have to settle on exactly what that big idea is. 4. Settle on your BIG idea. To be book-worthy, your idea has to be killer. You need to write something about which you’re passionate, something that gets you up in the morning, draws you to the keyboard, and keeps you there. It should excite not only you, but also anyone you tell about it. I can’t overstate the importance of this. If you’ve tried and failed to finish your book before- maybe more than once- it could be that the basic premise was flawed. Maybe it was worth a blog post or an article but couldn’t carry an entire book. Think The Hunger Games, Harry Potter, or How to Win Friends and Influence People. The market is crowded, the competition fierce. There’s no more room for run-of-the-mill ideas. Your premise alone should make readers salivate. Go for the big concept book. How do you know you’ve got a winner? Does it have legs? In other words, does it stay in your mind, growing and developing every time you think of it? Run it past loved ones and others you trust. Does it raise eyebrows? Elicit Wows? Or does it result in awkward silences? The right concept simply works, and you’ll know it when you land on it. Most importantly, your idea must capture you in such a way that you’re compelled to write it. Otherwise you’ll lose interest halfway through and never finish. 5. Construct your outline. Want to download this 20-step guide so you can read it whenever you wish? Click here. Starting your writing without a clear vision of where you’re going will usually end in disaster. Even if you’re writing fiction and consider yourself a Pantser* as opposed to an Outliner, you need at least a basic structure. [*Those of us who write by the seat of our pants and, as Stephen King advises, put interesting characters in difficult situations and write to find out what happens] You don’t have to call it an outline if that offends your sensibilities. But fashion some sort of a directional document that provides structure and also serves as a safety net. If you get out on that Pantser highwire and lose your balance, you’ll thank me for advising you to have this in place. Now if you’re writing a nonfiction book, there’s no substitute for an outline. Potential agents or publishers require this in your proposal. They want to know where you’re going, and they want to know that you know. What do you want your reader to learn from your book, and how will you ensure they learn it? Fiction or nonfiction, if you commonly lose interest in your book somewhere in what I call the Marathon of the Middle, you likely didn’t start with enough exciting ideas. That’s why and outline (or a basic framework) is essential. Don’t even start writing until you’re confident your structure will hold up through the end. You may recognize this novel structure illustration. Did you know it holds up- with only slight adaptations- for nonfiction books too? It’s self-explanatory for novelists; they list their plot twists and developments and arrange them in an order that best serves to increase tension. What separates great nonfiction from mediocre? The same structure! Arrange your points and evidence in the same way so you’re setting your reader up for a huge payoff, and then make sure you deliver. If your nonfiction book is a memoir, an autobiography, or a biography, structure it like a novel and you can’t go wrong. But even if it’s a straightforward how-to book, stay as close to this structure as possible, and you’ll see your manuscript come alive. Make promises early, triggering your reader to anticipate fresh ideas, secrets, inside information, something major that will make him thrilled with the finished product. While you may not have as much action or dialogueor character development as your novelist counterpart, your crises and tension can come from showing where people have failed before and how you’re going to ensure your reader will succeed. You can even make the how-to project look impossible until you pay off that setup with your unique solution. Keep your outline to a single page for now. But make sure every major point is represented, so you’ll always know where you’re going. And don’t worry if you’ve forgotten the basics of classic outlining or have never felt comfortable with the concept. Your outline must serve you. If that means Roman numerals and capital and lowercase letters and then Arabic numerals, you can certainly fashion it that way. But if you just want a list of sentences that synopsize your idea, that’s fine too. Simply start with your working title, then your premise, then- for fiction, list all the major scenes that fit into the rough structure above. For nonfiction, try to come up with chapter titles and a sentence or two of what each chapter will cover. Once you have your one-page outline, remember it is a fluid document meant to serve you and your book. Expand it, change it, play with it as you see fit- even during the writing process. 6.Set a firm writing schedule. Ideally, you want to schedule at least six hours per week to write. That may consist of three sessions of two hours each, two sessions of three hours, or six one-hour sessions- whatever works for you. I recommend a regular pattern (same times, same days) that can most easily become a habit. But if that’s impossible, just make sure you carve out at least six hours so you can see real progress. Having trouble finding the time to write a book? News flash- you won’t find the time. You have to make it. I used the phrase carve out above for a reason. That’s what it takes. Something in your calendar will likely have to be sacrificed in the interest of writing time. Make sure it’s not your family- they should always be your top priority. Never sacrifice your family on the altar of your writing career. But beyond that, the truth is that we all find time for what we really want to do. Many writers insist they have no time to write, but they always seem to catch the latest Netflix original series, or go to the next big Hollywood feature. They enjoy concerts, parties, ball games, whatever. How important is it to you to finally write your book? What will you cut from your calendar each week to ensure you give it the time it deserves? A favorite TV show? An hour of sleep per night? (Be careful with this one; rest is crucial to a writer.) A movie? A concert? A party? Successful writers make time to write. When writing becomes a habit, you’ll be on your way. 7. Establish a sacred deadline. Without deadlines, I rarely get anything done. I need that motivation. Admittedly, my deadlines are now established in my contracts from publishers. If you’re writing your first book, you probably don’t have a contract yet. To ensure you finish your book, set your own deadline- then consider it sacred. Tell your spouse or loved one or trusted friend. Ask that they hold you accountable. Now determine- and enter in your calendar- the number of pages you need to produce per writing session to meet your deadline. If it proves unrealistic, change the deadline now. If you have no idea how many pages or words you typically produce per session, you may have to experiment before you finalize those figures. Say you want to finish a 400-page manuscript by this time next year. Divide 400 by 50 weeks (accounting for two off-weeks), and you get eight pages per week. Divide that by your typical number of writing sessions per week and you’ll know how many pages you should finish per session. Now is the time to adjust these numbers,while setting your deadline and determining your pages per session. Maybe you’d rather schedule four off weeks over the next year. Or you know your book will be unusually long. Change the numbers to make it realistic and doable, and then lock it in. Remember, your deadline is sacred. 8. Embrace procrastination (really!). You read that right. Don’t fight it; embrace it. You wouldn’t guess it from my 190+ published books, but I’m the king of procrastinators. Surprised? Don’t be. So many authors are procrastinators that I’ve come to wonder if it’s a prerequisite. The secret is to accept it and, in fact, schedule it. I quit fretting and losing sleep over procrastinating when I realized it was inevitable and predictable, and also that it was productive. Sound like rationalization? Maybe it was at first. But I learned that while I’m putting off the writing, my subconscious is working on my book. It’s a part of the process. When you do start writing again, you’ll enjoy the surprises your subconscious reveals to you. So, knowing procrastination is coming, book it on your calendar. Take it into account when you’re determining your page quotas. If you have to go back in and increase the number of pages you need to produce per session, do that (I still do it all the time). But- and here’s the key- you must never let things get to where that number of pages per day exceeds your capacity. It’s one thing to ratchet up your output from two pages per session to three. But if you let it get out of hand, you’ve violated the sacredness of your deadline. How can I procrastinate and still meet more than 190 deadlines? Because I keep the deadlines sacred. 9. Eliminate distractions to stay focused. Are you as easily distracted as I am? Have you found yourself writing a sentence and then checking your email? Writing another and checking Facebook? Getting caught up in the come-ons for pictures of the 10 Sea Monsters You Wouldn’t Believe Actually Exist? Then you just have to check out that precious video from a talk show where the dad surprises the family by returning from the war. That leads to more and more of the same. Once I’m in, my writing is forgotten, and all of a sudden the day has gotten away from me. The answer to these insidious timewasters? Look into these apps that allow you to block your email, social media, browsers, game apps, whatever you wish during the hours you want to write. Some carry a modest fee, others are free. Freedom app. FocusWriter StayFocusd WriteRoom 10. Conduct your research. Yes, research is a vital part of the process, whether you’re writing fiction or nonfiction. Fiction means more than just making up a story. Your details and logic and technical and historical details must be right for your novel to be believable. And for nonfiction, even if you’re writing about a subject in which you’re an expert- as I’m doing here- you’ll be surprised how ensuring you get all the facts right will polish your finished product. In fact, you’d be surprised at how many times I’ve researched a fact or two while writing this blog post alone. The last thing you want is even a small mistake due to your lack of proper research. Regardless the detail, trust me, you’ll hear from readers about it. Your credibility as an author and an expert hinges on creating trust with your reader. That dissolves in a hurry if you commit an error. My favorite research resources are: World Almanacs: These alone list almost everything you need for accurate prose: facts, data, government information, and more. For my novels, I often use these to come up with ethnically accurate character names. TheMerriam-Webster Thesaurus: The online version is great, because it’s lightning fast. You couldn’t turn the pages of a hard copy as quickly as you can get where you want to onscreen. One caution: Never let it be obvious you’ve consulted a thesaurus. You’re not looking for the exotic word that jumps off the page. You’re looking for that common word that’s on the tip of your tongue. WorldAtlas.com: Here you’ll find nearly limitless information about any continent, country, region, city, town, or village. Names, monetary units, weather patterns, tourism info, and even facts you wouldn’t have thought to search for. I get ideas when I’m digging here, for both my novels and my nonfiction books. 11. Start calling yourself a writer. Want to download this 20-step guide so you can read it whenever you wish? Click here. Your inner voice may tell you, â€Å"You’re no writer and you never will be. What do you think you’re doing, trying to write a book? That may be why you’ve stalled at writing your book in the past. But if you’re working at writing, studying writing, practicing writing, that makes you a writer. Don’t wait till you reach some artificial level of accomplishment before calling yourself a writer. A cop in uniform and on duty is a cop whether he’s actively enforced the law yet or not. A carpenter is a carpenter whether he’s ever built a house. Self-identify as a writer now and you’ll silence that inner critic- who, of course, is really you. Talk back to yourself if you must. It may sound silly, but acknowledging yourself as a writer can give you the confidence to keep going and finish your book. Are you a writer? Say so. Part Three: The Writing Itself 12. Think reader-first. This is so important that that you should write it on a sticky note and affix it to your monitor so you’re reminded of it every time you write. Every decision you make about your manuscript must be run through this filter. Not you-first, not book-first, not editor-, agent-, or publisher-first. Certainly not your inner circle- or critics-first. Reader-first, last, and always. If every decision is based on the idea of reader-first, all those others benefit anyway. When fans tell me they were moved by one of my books, I think back to this adage and am grateful I maintained that posture during the writing. Does a scene bore you? If you’re thinking reader-first, it gets overhauled or deleted. Where to go, what to say, what to write next? Decide based on the reader as your priority. Whatever your gut tells you your reader would prefer, that’s your answer. Whatever will intrigue him, move him, keep him reading, those are your marching orders. So, naturally, you need to know your reader. Rough age? General interests? Loves? Hates? Attention span? When in doubt, look in the mirror. The surest way to please your reader is to please yourself. Write what you would want to read and trust there is a broad readership out there that agrees. 13. Find your writing voice. Discovering your voice is nowhere near as complicated as some make it out to be. You can find yours by answering these quick questions: What’s the coolest thing that ever happened to you? Who’s the most important person you told about it? What did you sound like when you did? That’s your writing voice. It should read the way you sound at your most engaged. That’s all there is to it. If you write fiction and the narrator of your book isn’t you, go through the three-question exercise on the narrator’s behalf- and you’ll quickly master the voice. Here’s a blog I posted that’ll walk you through the process. 14. Write a compelling opener. If you’re stuck because of the pressure of crafting the perfect opening line, you’re not alone. And neither is your angst misplaced. This is not something you should put off and come back to once you’ve started on the rest of the first chapter. Oh, it can still change if the story dictates that. But settling on a good one will really get you off and running. It’s unlikely you’ll write a more important sentence than your first one, whether you’re writing fiction or nonfiction. Make sure you’re thrilled with it and then watch how your confidence- and momentum- soars. Most great first lines fall into one of these categories: Surprising Fiction: â€Å"It was a bright cold day in April, and the clocks were striking thirteen.† - George Orwell, Nineteen Eighty-Four Nonfiction: â€Å"By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.† - Elizabeth Gilbert, The Last American Man Dramatic Statement Fiction: â€Å"They shoot the white girl first.† - Toni Morrison, Paradise Nonfiction: â€Å"I was five years old the first time I ever set foot in prison.† - Jimmy Santiago Baca, A Place to Stand Philosophical Fiction: â€Å"Happy families are all alike; every unhappy family is unhappy in its own way.† - Leo Tolstoy, Anna Karenina Nonfiction: â€Å"It’s not about you.† - Rick Warren, The Purpose Driven Life Poetic Fiction: â€Å"When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon. - James Crumley, The Last Good Kiss Nonfiction: â€Å"The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’† - Truman Capote, In Cold Blood Great opening lines from other classics may give you ideas for yours. Heres a list of famous openers. 15. Fill your story with conflict and tension. Your reader craves conflict, and yes, this applies to nonfiction readers as well. In a novel, if everything is going well and everyone is agreeing, your reader will soon lose interest and find something else to do- like watch paint dry. Are two of your characters talking at the dinner table? Have one say something that makes the other storm out. Some deep-seeded rift in their relationship has surfaced. Is it just a misunderstanding that has snowballed into an injustice? Thrust people into conflict with each other. That’ll keep your reader’s attention. Certain nonfiction genres won’t lend themselves to that kind of conflict, of course, but you can still inject tension by setting up your reader for a payoff in later chapters. Check out some of the current bestselling nonfiction works to see how writers accomplish this. Somehow they keep you turning those pages, even in a simple how-to title. Tension is the secret sauce that will propel your reader through to the end. And sometimes that’s as simple as implying something to come. 16. Turn off your internal editor while writing the first draft. Many of us are perfectionists and find it hard to get a first draft written- fiction or nonfiction- without feeling compelled to make every sentence exactly the way we want it. That voice in your head that questions every word, every phrase, every sentence, and makes you worry you’re being redundant or have allowed cliches to creep in- well, that’s just your editor alter ego. He or she needs to be told to shut up. This is not easy. Deep as I am into a long career, I still have to remind myself of this every writing day. I cannot be both creator and editor at the same time. That slows me to a crawl, and my first draft of even one brief chapter could take days. Our job when writing that first draft is to get down the story or the message or the teaching- depending on your genre. It helps me to view that rough draft as a slab of meat I will carve tomorrow. I can’t both produce that hunk and trim it at the same time. A cliche, a redundancy, a hackneyed phrase comes tumbling out of my keyboard, and I start wondering whether I’ve forgotten to engage the reader’s senses or aimed for his emotions. That’s when I have to chastise myself and say, â€Å"No! Don’t worry about that now! First thing tomorrow you get to tear this thing up and put it back together again to your heart’s content!† Imagine yourself wearing different hats for different tasks, if that helps- whatever works to keep you rolling on that rough draft. You don’t need to show it to your worst enemy or even your dearest love. This chore is about creating. Don’t let anything slow you down. Some like to write their entire first draft before attacking the revision. As I say, whatever works. Doing it that way would make me worry I’ve missed something major early that will cause a complete rewrite when I discover it months later. I alternate creating and revising. The first thing I do every morning is a heavy edit and rewrite of whatever I wrote the day before. If that’s ten pages, so be it. I put my perfectionist hat on and grab my paring knife and trim that slab of meat until I’m happy with every word. Then I switch hats, tell Perfectionist Me to take the rest of the day off, and I start producing rough pages again. So, for me, when I’ve finished the entire first draft, it’s actually a second draft because I have already revised and polished it in chunks every day. THEN I go back through the entire manuscript one more time, scouring it for anything I missed or omitted, being sure to engage the reader’s senses and heart, and making sure the whole thing holds together. I do not submit anything I’m not entirely thrilled with. I know there’s still an editing process it will will go through at the publisher, but my goal is to make my manuscript the absolute best I can before they see it. Compartmentalize your writing vs. your revising and you’ll find that frees you to create much more quickly. 17. Persevere through The Marathon of the Middle. Most who fail at writing a book tell me they give up somewhere in what I like to call The Marathon of the Middle. That’s a particularly rough stretch for novelists who have a great concept, a stunning opener, and they can’t wait to get to the dramatic ending. But they bail when they realize they don’t have enough cool stuff to fill the middle. They start padding, trying to add scenes just for the sake of bulk, but they’re soon bored and know readers will be too. This actually happens to nonfiction writers too. The solution there is in the outlining stage, being sure your middle points and chapters are every bit as valuable and magnetic as the first and last. If you strategize the progression of your points or steps in a process- depending on nonfiction genre- you should be able to eliminate the strain in the middle chapters. For novelists, know that every book becomes a challenge a few chapters in. The shine wears off, keeping the pace and tension gets harder, and it’s easy to run out of steam. But that’s not the time to quit. Force yourself back to your structure, come up with a subplot if necessary, but do whatever you need to so your reader stays engaged. Fiction writer or nonfiction author, The Marathon of the Middle is when you must remember why you started this journey in the first place. It isn’t just that you want to be an author. You have something to say. You want to reach the masses with your message. Yes, it’s hard. It still is for me- every time. But don’t panic or do anything rash, like surrendering. Embrace the challenge of the middle as part of the process. If it were easy, anyone could do it. 18. Write a resounding ending. Want to download this 20-step guide so you can read it whenever you wish? Click here. This is just as important for your nonfiction book as your novel. It may not be as dramatic or emotional, but it could be- especially if you’re writing a memoir. But even a how-to or self-help book needs to close with a resounding thud, the way a Broadway theater curtain meets the floor. How do you ensure your ending doesn’t fizzle? Don’t rush it. Give readers the payoff they’ve been promised. They’ve invested in you and your book the whole way. Take the time to make it satisfying. Never settle for close enough just because you’re eager to be finished. Wait till you’re thrilled with every word, and keep revising until you are. If it’s unpredictable, it had better be fair and logical so your reader doesn’t feel cheated. You want him to be delighted with the surprise, not tricked. If you have multiple ideas for how your book should end, go for the heart rather than the head, even in nonfiction. Readers most remember what moves them. Part Four: All Writing Is Rewriting 19. Become a ferocious self-editor. Agents and editors can tell within the first two pages whether your manuscript is worthy of further consideration. That sounds unfair, and maybe it is. But it’s also reality, so we writers need to face it. How can they often decide that quickly on something you’ve devoted months, maybe years, to? Because they can almost immediately envision how much editing would be required to make those first couple of pages publishable. If they decide the investment wouldn’t make economic sense for a 300-400-page manuscript, end of story. Your best bet to keep an agent or editor reading your manuscript? You must become a ferocious self-editor. That means: Omit needless words Choose the simple word over one that requires a dictionary Avoid subtle redundancies, like â€Å"He thought in his mind†¦Ã¢â‚¬  (Where else would someone think?) Avoid hedging verbs like almost frowned, sort of jumped, etc. Generally remove the word that- use it only when absolutely necessary for clarity Give the reader credit and resist the urge to explain, as in, â€Å"She walked through the open door.† (Did we need to be told it was open?) Avoid too much stage direction (what every character is doing with every limb and digit) Avoid excessive adjectives Show, don’t tell And many more For my full list and how to use them, click here. (It’s free.) When do you know you’re finished revising? When you’ve gone from making your writing better to merely making it different. That’s not always easy to determine, but it’s what makes you an author. And Finally, the Quickest Way to Succeed 20. Find a mentor. Get help from someone who’s been where you want to be. Imagine engaging a mentor who can help you sidestep all the amateur pitfalls and shave years of painful trial-and-error off your learning curve. Just make sure it’s someone who really knows the writing and publishing world. Many masquerade as mentors and coaches but have never really succeeded themselves. Look for someone widely-published who knows how to work with agents, editors, and publishers. There are many helpful mentors online. I teach writers through this free site, as well as in my members-only Writers Guild. Want to save this definitive guide to read later?Click here or below to download a handy PDF version: Struggling with knowing how to write a book? Tell me in the comments and feel free to ask questions.

CONTRACT LAW ESSAY Example | Topics and Well Written Essays - 2500 words

CONTRACT LAW - Essay Example In the case of Mark and JETS, it can be established that Mark desired and needed the services offered by JETS, specifically, the provisions that (d) a Hamletjet 1000 must be available, and one of a list of designated pilots must be on call, 24 hours a day; (e) all pilots will have a jet at the ready for clients’ use within 30 minutes of receiving a request from a client. Since the stipulations were clear, it is assumed that the offered services are vital and strictly followed by both parties and that any violation of the stipulation would render breach of contract or even economic loss on the part of Mark. In the instance that Mark needed a Hamletjet in February 11, and that immediately informed JETS about this need was part and covered by the contract. It is expected that in 30 minutes, the Hamletjet will be available for Mark. Failure of the JETS to provide a transport for Mark is a breach of the stipulations. Inducing Breach of Contract Under the doctrine of substantial per formance, Lord Mansfield indicated that in common law, it is a term in the contract that creates an obligation to be performed by one party to the contract, and subsequently, further obligation arises on the side of the other party (The Modern Law Review, 1975). The condition upon which the entire contract, or as a whole, becomes dependent on the conditions indicated on the contract, of which two had been violated by JETS in the disadvantage of Mark. It should be noted that no further agreement was taken after the failure to deliver on the part of JETS. Had the two parties – Mark and JETS – met and discussed to create a new agreement, the case could have taken the route of Hughes v Metropolitan Railway Co., of which Lord Cairns stated that: It is the first principle upon which all courts of equity proceed, that if parties, who have entered into definite and distinct terms involving certain legal results, afterwards by their own act or with their own consent enter upon a course of negotiation which has the effect of leading one of the parties to suppose that the strict rights arising under the contract will not be enforced, or will be kept in suspense, or held in abeyance, the person who otherwise might have enforced those rights will not be allowed to enforce them when it would be inequitable having regard to the dealings which have taken place between the parties (Hughes v Metropolitan Railway, 1877). Lord O’Hagan, on the same case mentioned, noted the failure of one party to oblige upon the agreement of both parties, to which, he commented, â€Å"They entered into a covenant: and if they have failed to fulfil their undertaking they must abide the results, however onerous, unless the circumstances excuse their default in the view of a Court of Equity. But if they acted, or failed to act, through a mistake induced by the conduct of the Plaintiff: if they were misled by it into the belief that his strict legal right was abandoned or suspen ded for the time, he cannot be allowed to take advantage of the forfeiture which was so accomplished.† In Lumley v Gye, it had been ruled out that liability depended upon the contracting party having committed an